Born in Perugia, his works point to a Milanese influence. In addition, it is assumed he spent some time with Storioni. The wide, open center bouts, with the correspondingly long f-holes, make the instruments look larger than they really are. Full arching, not too high, neatly placed purfling, and good varnish, consist without being hard, nearly always yellowish brown, are important features of this master.
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